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Judischer Friedhof Endingen

Judischer Friedhof Endingen is the oldest and largest Jewish cemetery in Switzerland, situated in the Surb Valley in the Canton of Aargau. The cemetery is listed in Swiss inventory of cultural property of national significance.



In the endingidi is a type of bowed string instrument native to Uganda. In the endingidi is a string, extending from the neck to the cylindrical sound-box or resonator made of wood or cow horn. A piece of skin stretched over the top of the cylinder and secured to the sound-box with wooden pegs, thorny spines or now with metal nails. Skin is generally used, which is Secreted, but the young goats and sheep or even Python. The skins are soaked in water for a day before being stretched over the sound-field. The neck consists of a straight wooden stick inserted through the wall of sound-the window is about 2 to 3 cm from the top edge. At the top of the neck hole 4 to 6 inches from the end into which the tuning pin is inserted vertically. String attached to this PIN so that the string can be wound around a pin similar with the violin. This allows the string to be tightened, so the tuning tool. The line runs through the sound box through the bridge and fixed on the other end of the neck. The line consists of fibers or tendons of animals, and nowadays it is most often made of nylon. Arched bow consists of a thin flexible branches, which are strings attached, usually of the same material, the strings of the instrument itself. To give the nose more grip on the string instrument, rosin is rubbed into the bowstring. Resin is often attached to the side of the sound-box, so the player can easily resin year on the nose as he plays. The device is designed rarely, usually associated with regional traditions. The sound-box is sometimes embellished with pyrographed designs, the neck with white and blue beads and the end of the neck with a brush of hair from the tail of a goat or a cow. Meat and bones are removed from the tail, which is then stretched on the neck. As leather dries, it shrinks and tightens around the neck. The device is configured in accordance with the range of the singing voice, or by turning the tuning pin or moving the bridge. The player holds the neck of the instrument in the palm of his left hand as he plays and so damp the string with the second segment of the index finger, middle finger or the ring finger. The hollow sound-box endingidi is held against the body and the bow held in the right hand and was moving very quickly back and forth across the line. According to ancient sources, endingidi is not a traditional instrument in Ankole, but was brought out of bunyoro Kitara Kingdom of bunyoro in 1910, when he was still a conglomerate Kingdom holding most or all of the Bantu speaking tribes of East Africa. Endingidi, however, is believed to have been invented by the people of busoga Eastern Uganda, which explains why they are the tribe most known to play the instrument and work with it creatively, you are likely to encounter in endingidi of busoga, than in any other part of Uganda. This combined with the Bigwala also invented the Basoga In the endingidi player sings or rather speaks rhythmically as he plays. Among the Basoga people of busoga Kingdom, the endingidi was usually played solo, but now this is all combined with engomadrum and rattles. Among Kooky and Ziba, two endingidi was mostly playing along with a drum and rattles and in combination with cotton. Among the Kiga and the Hororo, this ensemble is melodically enriched omubanda flute. In endingidi playing men when they play music for relaxation and red thread in the lyrics of social life. In endingidi also used to play ritual music and at weddings. *Digitalisatie van het Etnomusicologisch Klankarchief van het koninklijk Museum Voor Midden-Afrika / digitization of Ethnomusicology sound archive of the Royal Museum for Central Africa


A Catfishing with a Happy Ending


This Ending

This Ending was formed in 1991 as A Canorous Quartet by Fredrik Andersson, Mårten Hansen and Linus Nirbrant. After some changes, the line-up was complete with the addition of Leo Pignon and Jesper Lofgren. The band released an EP, As Tears, in 1994, and two full-length albums: Silence of the World Beyond in 1996 and The Only Pure Hate in 1998. They performed numerous shows with acts like At the Gates, Dissection, Hypocrisy and Edge of Sanity. In 1998, the members decided to separate. Hansen went on to join October Tide, while Nirbrant, Lofgren, and Andersson formed a group called Guidance of Sin, however, Andersson left in 1999 to join Amon Amarth. In 2004, Andersson recorded a 5 demo under the name of the program rigor. That winter, the members played with the idea of regrouping for something new, and in early 2005, they decided that it was time for a new era, officially creating this ending. During the spring and summer were created 13 songs, three of which were selected for downloading the demo, Let the world burn, recorded later in the same year. The group landed on metal blade records and recorded their first full length album, inside the machine, in September 2006. In January 2009, the group announced the completion of their second Studio album, dead harvest. Music video for the song "parasite" was held at the groups MySpace on January 17. The album was released on January 30 in Germany, Austria, Switzerland and Italy, February 2 in the rest of Europe and February 3 in North America. This ending left metal blade Records in January 2011 and plan to rewrite the material that they are made as a Canorous Quintet to celebrate the 20th anniversary of having started under that name.


The Scarlet Ending

The Scarlet Ending is a six piece indie rock band from Syracuse, New York. The group is fronted by identical twin sisters Kayleigh Goldsworthy and Kaleena Goldsworthy, with Jon Tedd, Jess Hafner, Nick Streeter, and Aaron Garritillo


Be Glad for the Song Has No Ending

Be Glad for the Song Has No Ending is the eighth album by the Scottish psychedelic folk group, the Incredible String Band, featuring Mike Heron, Robin Williamson, Licorice McKechnie and Rose Simpson. It is the soundtrack for a film of the same name, and was released on Island Records in March 1971, failing to chart in either the UK or US. It would be the first album from the band on the Island label, and the last to feature Joe Boyd as the producer.

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